April '08

91. Circuit Protection
92. Lagging the Cockpit
93. Glove Boxes and Speaker Boxes
94. Lagging the Dash Bulkhead
95. Completing the Subdeck
96. The Choice of Finish
97. The Throttle System and Controller
91. Circuit Protection


In the 12 volt system, circuit protection was relatively simple. AWG 8 cables lead from the battery to the
ammeter and on to the ignition switch, via an A series single toggle circuit breaker rated to 50 amps. The downstream devices all work off the distribution panel which is fused on each circuit, except for the navigation lights, horn and bilge pump, which are all protected by in-line 5 amp glass fuses. In other words, the circuit breaker is rated at about twice the maximum load it will be expected to carry, and the cable is rated at well over three times the expected load. The same applies to the devices, all protected by wiring rated well above the load, and by conservatively sized fuses.

 
The A series breaker (left), and the T class fuse block and fuse (right) taken from the Blue Sea website.

In the drive system, the Perm motor can sit happily on 110 amps input, but I am advised that the controller should be limited to an 80 amp output to save excessive draw on the batteries. So it would be tempting to use a 150 amp circuit breaker in this circuit. But there aren't any commonly available ones which handle 48 volts. Those that do are often provided with considerable delay mechanisms so that they do not trip on current inrush, associated with such things as winch or starter motor use.

Most of the high current fuses are similarly restricted to voltages less than 48, with the exception of the T class fuses which can handle 160 volts (at a price, of course), and have the advantage of very rapid action and high safety margins, with an interrupt rating of 20,000 amps.

So, what exactly are we trying to protect here? The controller will have its own fuse, which will be in the vicinity of 300 to 400 amps because that is the short burst current of which it will be capable, even though it will be set lower for constant use. That then leaves only the cable and the contactor, if there is one, which need protecting. AWG 2 cable of the type I am using is rated to about 200 amps, so the breaker needs to open before then, but not so instantaneously that it becomes annoying. A delay would be reasonable, such as occurs in an anchor winch for example.

There is a series of breakers which can do the job in this case, the Carling C series breakers can be rated for 100 amps, with trip current of 135, and a voltage of 65 volts. Provided the contactor fits in with this profile the Carling would be perfect for the job.

So, the drive system circuit will be as follows:

Battery positive
AWG 2 red cable
Battery switch
AWG 2 red cable
Circuit breaker 100 amp, 65 volt
AWG 2 red cable
Ammeter shunt
AWG 2 red cable
Main contactor
AWG 2 red cable
Controller with fuse
AWG 2 red cable
Motor
AWG 2 black cable
Controller
AWG 2 black cable
Battery negative

Depending on the controller chosen there may need to be a reversing contactor in there too.

 
The smaller 8 gauge cable of the 12 volt system enters right and joins the small circuit breaker, then leads on to the small
ammeter. The battery selector switch is wired with 2 gauge, and its common outlet leads to the big circuit breaker, and then
on to the shunt for the big ammeter.





The 12 volt system is as follows:

Battery positive
AWG 8 red cable
Circuit breaker 50 amp, 12 volt
AWG 2 red cable
Ammeter 50 amps
AWG 8 red cable
Positive bus
AWG 16 red wire
Unswitched devices plus ignition switch
AWG 16 coloured wires
Distribution panel
Switched devices
AWG 16 black wire
Negative bus
AWG 8 black cable
Battery negative

All circuits are closed, (ie. nothing returns via the engine block to earth), and there is no separate ground circuit. If the boat were to be recharged from an AC source while still in the water I would think about adding a common grounding point, but that would involve bonding all the through hull fittings, zincs, shaft etc. As it will only be recharged on the trailer I think it is unnecessary. Mind you, if the eventual decision is to take the 48 volt option, that will mean that a qualified marine engineer will have to sign off on the installation, and that might mean that all the bells and whistles have to be included. 36 volts is sounding good to me.

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92. Lagging the Cockpit

One of the important principles in electrically powered boats is the preservation of lightness. Electric motors are already at a disadvantage because of the weight of batteries that have to be carried, (although this is offset to a degree by the much lighter weight of the motor than a diesel engine). But in order to get the best performance from the motor, the load has to be as light as possible too.

I have been concerned for some time by the increasing mass of the boat, and have begun to think that 24 volts will not deliver enough power for her, so in considering cockpit lagging I want to avoid any heavy timbers at all costs. The use of a light weight wood like Obeche is appealing, but it is not readily available here. Western Red cedar could work well, but so could hoop pine, which is used in this country for the manufacture of marine ply. It is very pale, like Obeche, light and moderately durable. Huon pine would be ideal, but it is all but extinct now, and very expensive.

Whatever is chosen, the use of solid timber for the lagging means that there would have to be expansion gaps, and all the work that that involves, but the thought occurred to me that strips of hoop pine ply could be used, provided that they were hardwood edged. There would then be no problem from expansion, no problem dimensioning lumber to the 10 mm. thickness required, and no waste from resawing. Furthermore, the use of a contrasting edging, such as mahogany would give a striking look to the cockpit, which could be echoed by the use of contrasting strips for the decking.

There is, of course, the slow and tedious business of edging the ply strips, but while that is progressing I can get on with my Bugatti. So, hoop pine it is. The beading has to be altered a bit from the original plan, so as not to expose the deeper ply layers. Only the mahogany is beaded, and it is shiplapped to keep the strips aligned properly.

The laying begins at the forward edge of the rear seat. The first strake is laid at a slight angle to the perpendicular, leaning back a little to give a racier look to the cockpit, remembering, however, that the greater the rake angle the less space will be left on the sole for feet, etc., especially at the forward end.

Because it is ply being used, the strips can be glued to the frame, not screwed, but that means that each piece has to be laid sequentially, giving time for the glue to set before moving the clamp on the hold the next piece. If you are in a hurry you could use screws.

The cleat on the sole to which the bottom end of the lagging strips attaches is not in position yet. I want nearly all the strips to be lined up to get a fair line for the cleat, but before the strips can be cut to length there has to be an approximation of the cleat position available to work from. It does not matter if the lagging is a little bit short, as it will be covered by kickboards anyway.

Working with standard ply sheets, 2.4 x 1.2 metres will allow me to extract 12 strips 96 mm. wide, once the saw kerfs are taken into account. If the hardwood edging on them increases their dimension to 110 mm. it will take about 25 strips to lag each side. The longest of them will be just less than 800 mm., so I should get 36 strips out of one piece of ply. Two pieces will give me enough for the dash bulkhead, and plenty left over.

In order to save time I glue up the edging to the strips before cutting them to length. But it is easier to shiplap the edges on short pieces after cutting. The angle of the top end of the strips is constantly changing as the curve of the carling is accommodated, but the bottom end angles are relatively constant. However, the curve is not so pronounced that it is necessary to cut a curved end on the strips. A straight cut will allow them to fit
snugly enough into the rebate made for them. The angle of the cut is tested on strips of scrap, and transferred to the real lagging individually. The strip is then cut to approximate length, lined up against the lagging frame in its proper location, and marked for overhang above the rebate. The length of the overhang is then trimmed off the other end at the appropriate angle so that it fits.

 
A long strip gets its edging, but the shiplapping is done after it is cut to length. The meeting point of the shiplap joints will also be chamfered,
 but only after all the strips are cut and fitted. That way I can leave the router setting constant for both jobs.


Once the side of the rear seat is fully lagged the next strip goes all the way to the sole, leaving a triangle between the front of the seat and the back of that strip. A cleat can be added to the front of the seat to fill the gap with more short strips, once the position of the meeting point of the long strip and the sole is known.


The forward progress of the lagging strips brings them up to the front of the rear seat. Next is the glovebox and speaker board.

Almost immediately after this last short strip is placed it is time to add the rear glove box and speaker cover, and before that can be done, boxes have to be built to house them.



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93. Glove Boxes and Speaker Boxes

The opening for the rear glove box is in the lagging strip just in front of the seat. Because it is so wide the relatively stable mahogany is suited to being used for that strip in the traditional boats, whereas the lighter timbers used for the rest of the lagging might split if they were used in such dimensions. To reproduce the look of the mahogany I am using some myself, and behind it there has to be a box to house the contents.

The bottom of the box sits happily on top of the intermediate longitudinal stringer, and a cleat is added to its forward end to attach the vertical. It is left open behind so that all the space next to the seat behind the lagging can be used, but if the back of that space proves to be unreachable it may have to be shortened.


The base and front wall of the glovebox are suspended on the stringer.


The mahogany strip is fitted over the top and the lagging continues forwards.

The next lagging strip is really the last one which can be fitted without some landing point on the sole being defined. The bottom ends of the lagging strips are beginning to splay away from each other, making cutting and fitting more difficult. So a piece of Oregon is cut to length and forced into a fair curve with the use of spacers. This can be left for a few days while the other side of the boat is lagged up to that level. Then it can be screwed and glued to the sole panel.

Before moving too far ahead though, there has to be some provision for the speaker box which will open in the mahogany strip below the stringer, and holes of the appropriate size have to be cut in the mahogany as well.

In order to get orifices the same shape and size on both sides I will make up a router template and cut them with a template following bit.









The cleat for the bottom of the lagging is bent into shape.


Sprung battens hold the cleat down while the glue dries.

With the cleat fixed to the sole panel it is time to tame the lagging strips. They are screwed to the carling and the sole cleat. That allows the triangular gap behind the mahogany strip to be filled as well.


All strips are parallel. The apparent sun ray pattern seen here is an artefact of the focal length of the camera lens. A piece
of scrap hardwood here represents the kickboard which will eventually go along the sole.


I am not concerned about the mahogany and the strip behind it not meeting perfectly. Later, when the fiddle for the seat is added, it will push the mahogany into its correct position. But before it does, I am taking the opportunity of installing a pair of courtesy lights on the front of the seat, where they will be concealed under the fiddle.


Concealed courtesy light on the rear seat...


and the light it provides.


With the seat cushion-retaining fiddle.

From this point forwards another sole cleat is needed. It is important to continue the curve established by the strips already in place, so a batten is used to establish a fair continuation of their line on the sole.


The dark coloured batten marks the position for the next cleat.


The second cleat is held in the marked line, and glued down.

The lagging now continues past the old bulkhead D remnant and into the driver's compartment.

 

The forward glove box cover will soon have to be placed, but it will be by trial and error to find its best location in relation to the driver's seat. I think it probably needs to come in about here:


 
In the pictures above you can begin to see the sweep of the cockpit lagging as it progresses forwards and parallels the hull side. This is the effect I have been aiming for even before I started building the lofting table, and the planning is paying off. The effect is very elegant, and, combined with the raked strips, makes the vertical carling option look positively pedestrian.

Another day, another lagging strip. Here is the forward glove box cover.



With the completion of the starboard lagging, the port side is begun, and an impression can be gained of the eventual look of the cockpit.






The speaker boxes are, by necessity, limited in scope. There is very little room behind the baffle to house even the hardware, let alone any cabinetry. So I make an enclosure using the hull side as its back, and I pack the cavity with acoustic felt lining. The baffle is attached behind the sole cleat and intermediate stringer, so that the mahogany cover can obscure the Ninja weaponry which passes for a grill on these speakers. A plain aperture mesh will fill the hole in the cover to return the system to a more conservative appearance.


The port forward speaker pair housed in their baffle.


There is not much room back there behind the stringer.

By the way, I have found a tool which makes these circular cut-outs a bit quicker. The maximum diameter is 5 inches, but if you take the spurs off and invert them, and then turn their holders around you can get quite a bit more. However, it is really poorly made, of low quality steel, and will go dull quickly. It is also one of the most dangerous tools I have ever used, and is only suitable for a drill press, although the packaging does not say so. I suspect that it is made in China, or one of the numerous
other sources of gadgetry rubbish, and after I have used it to cut the four holes in the speaker baffles, I intend to throw it away, as I did with the last one I owned. Trying to sharpen this pig iron would be pointless.


The "take your life in your hands" hole cutter.

If you survive the hole cutter you should end up with a baffle which fits neatly into the space between the sole cleat and the stringer, to be covered by the mahogany plank.


Port side forward and stern and driver's side forward speaker boxes.




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94. Lagging the Dash Bulkhead

Using the same edged lagging strips as were used for the cockpit sides, the dash bulkhead can be covered between the central console and the sides. The starboard side of the bulkhead presents a slight obstruction to that, as there are bolt heads sticking out of it which are helping to hold the helm mounting box in place. They could probably be removed, now that the box has been epoxied onto the bulkhead, but I feel safer with them still there. There are also four smaller screws locking the steering column holding block onto the bulkhead, but this has been epoxied to the bulkhead over its entire surface, so they can be dispensed with.

The bolt heads are about 3 mm. deep, and they are sitting on top of 1 mm. washers. So there has to be a 4 mm. rebate cut into the back of the lagging to accommodate them. That cannot be cut with a forstner bit because of the central spur which would penetrate the front surface. A router will be needed.


The bolts for the helm mounting box.

Further complication comes from the angle at which the steering column penetrates the bulkhead. This angle has to be reproduced precisely in the lagging to avoid unsightly gaps, although some sort of decorative escutcheon may go there later. Also, the placement of the lagging strips in relation to the column needs consideration. It will be necessary to have one strip closing in on the column from each side and meeting its partner from the other side in the midline. The strips are 110 mm. wide. The column is centred 137 mm. from the edge of the central console, so the first strip beside the console will have to be cut down to 82 mm. wide. That will look better than
starting with a full width one next to the console and having the column penetrate its neighbouring strip eccentrically.


Finally, how does one attach these strips to the dash bulkhead? They are too thin to be screwed in from behind, and there is no way to clamp them while glue is drying. The solution is contact adhesive, preferably marine grade. Bostik 1431 is suitable, and should be readily available here. But you get no second chance with an industrial grade contact adhesive, so all the strips will have to be cut and fitted first ready for that permanent grip. Prior to that they can be held temporarily with double sided tape, and that will have to be used on the outer strips, which will be meeting the side lagging at odd angles and lengths.

A small piece of mahogany edged ply is introduced under the dash console. The edging has been bevelled upwards so that the shaft seal hatch can be lifted. This created a continuity for the ply lagging on the bulkhead outside the dash console, although it will only ever be seen when the door which is to cover these switches is opened.








Taken prior to the cover plates for the circuit breakers
being fitted.





With left over pieces of lagging I can begin to cover the rear seat support as well. This will give a uniformity to the cockpit without adding a significant amount of weight.


 

While I am waiting for glue to dry on the edge banding of these lagging strips, I can finish off some odd jobs, such as covering the circuit boards in the motor compartment.


Here, the circuits are enclosed except for the back of the stereo.
These temporary covers will be replaced later with Perspex ones.

While I am back in the electrics I take the opportunity to wire in the forward cockpit lights. Here the starboard one is connected. It is a bit dark with only that one on, so I shall put one on the port side as well.


The forward cockpit light with overhead lights on as well (left), and by itself (right).

The two rear cockpit lights will have to be moved to be in front of the lagging, but there is still adequate room for them to sit behind the seat fiddle. The wiring which joins them will be housed in a groove cut into the back of the lagging strips, because to route it through the under-seat stowage space would make it liable to damage from moving objects in and out of the compartment. The reflection of light from the pale lagging should greatly increase the illuminated area from these lights.


Port side and rear seat lagging are progressing simultaneously, using offcuts from the long strips of the port to clad the seat.

Sole cleats and gloveboxes are needed, the same as the starboard side.

 


Forward lighting is now finished too.



With most of the work behind the dash now completed, it is time to finish the joinery for the console itself. A piece of 350 mm. wide mahogany is split down the longitudinal middle, so that I can put it through my thicknesser, and then glued back together again. The bottom of it is used for the door over the lower two compartments, while the upper portion will have a cut-out and will act as a frame for the visible instruments.



Only time will tell whether this door will be stable enough not to warp. If it does it may need to be replaced with a standard panel and frame door later. It still needs 5 mm. cut off its bottom, to allow for the carpet, and its edges need to be rounded to make them more touch friendly, but this is fundamentally it. A magnetic catch holds it closed, and a small chromed handle finishes it off.

What a pity it is that is is impossible to get good quality hardware for jobs like this. You can get good hinges in brass, with a lot of effort, but never in stainless steel or chrome The hinges I installed here had to have sloping mortices cut (deeper at the pin end than at its opposite) because the leaves of the hinge are not half the thickness of the pin. They are thin and scratched bits of beaten metal which testify to false advertising from the company which makes them, and refers to them on the packet as "superior quality". Even the steel is only 304, so how do they justify such an outrageous claim? The first job of a quality butt hinge it to have the sum of the thicknesses of the leaves exactly the same as the thickness of the pin side. Then you can use a router to cut the mortices, and have the leaves line up perfectly flush with the timber. As it is, installing these ones by hand with the sloping mortices took half a day! Superior quality my arse.

The upper section of the console has the frame around the instruments. In order to rout out a suitably shaped window I make up a template based on the dimensions of the window, minus 8.5 mm. all around, which is the measurement of the distance from the far end of the router bit to the template, when the copying ring is engaged.


The template for the frame window.

I had intended that this template would serve as a template for the glove box openings as well, but it will be too big for them. I could cut it down a bit more, and use a larger copying ring for the dash frame and a smaller one for the glove boxes, but I think a more suitable shape can be found for the boxes. I might just use this for the dash, and make another for the boxes.


The template, the cut and the finished frame.



The last piece of the dash console to go in will be the cap, which will cover the small gap between the bulkhead and the top of the template through which the instruments are suspended. The gap has been useful, because it transmits the wires for the forward cockpit lights and for the spotlight from the distribution panel to the cockpit. But now it has to be closed to insulate the cockpit from the sound of the motor compartment, and perhaps some of its heat too. A narrow strip of mahogany with two fenestrations in it for the wires will sit on top of the side frames of the console, and its front surface will be covered by the instrument frame. The only complicating factor is the hand wheel for the spotlight which may be too tightly impacted by these structures, but that will have to wait until the light is actually fitted over the full deck.


The frame is screwed in from behind, and is held in position by the clamp while the screw positions are marked.


I had not intended to have a two tone dashboard, but it does look quite natty in a 1930's style. However, the mahogany will darken in time and would look out of place, being darker than the pine, but lighter than the Cetol coated wood. So I will put a finish on it.














This completes the dashboard, so the next step is continuing the lagging from the side to the dash bulkhead, starting at the steering column.

Here is where you thank yourself for not rushing in the glue up the subdeck. Now, I can unscrew a section of it to allow the dash bulkhead lagging to stick up above the level of the top frame, and thereby making scribing and fitting a lot easier.


Two lagging strips poke up above the top of the bulkhead.

The two strips are shiplapped for joining and placed on the drill press together to cut the hole for the steering column. The hole is placed a fraction higher than it should eventually be, because the strips are not yet routed to accommodate the bolt heads which will lie under them. When they are, they will sit a little further forward, and hence a little lower towards the sole, and any gap will be taken up. Then their tops will be scribed.

 

But first, the gap between the dash console and the inner lagging strip has to be filled with a partial strip. Only then will the inner side of the left hand one, above, be guaranteed to be parallel to the console.



Fitting the lateral strips is even more demanding than the inner ones, because not only do they have a diagonal cut on them to meet the side, but they also have to be notched to fit under the deck stringers. So progress is slow with trial and error fitting. Eventually the starboard side is complete and the work moves to the port, which is a bit quicker because there is no steering column.


Starboard side dash lagging is cut and fitted.

While waiting for glue to dry I have started to put the finish on the sole panels.



At this point I cannot do any more lagging until I finish the port side, as the dash strips butt up against the side ones. Behind the port lagging is the exit point for the bilge pump hose, so I have to bite the bullet and drill a hole into the hull side for the through hull fitting. It seems that everybody who builds a boat feels some trepidation at the point when they have to cut a hole in the hull, and this episode is no different, even though I have already done so with the shaft. The fitting is a stainless steel flange with a tightening nut, and a backing board is necessary for it. It seems like a sensible idea to attach the board to the hull, and then drill the hole through both, so it is back to the epoxy.


The through-hull for the bilge pump. It is placed where it can be reached from the glovebox on that side.


As far as I can go with the dash lagging until the side is finished.



While I have it mixed I might as well go about fixing some of the floating fittings, such as all the electrical conduit joints, and a lot of the forward deck stringers, which are just sitting in their mortices at the moment. Clearly, a lot of the boat will have to be dismantled for all that, so I will make that a job to continue intermittently through next month. In the meantime I can go about the laborious task of applying finish to all the lagging and the rear seat, as well as the sole, and that will take up most of the rest of this month, and into next as well.

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95. Completing the Subdeck

Before getting too far advanced with cutting subdeck panels, I want to make sure that the stringers they will be sitting on are permanently fixed in position. Sequentially, the foredeck stringers are detached from the windscreen and glued down, and left to set overnight.


A lateral forward deck stringers are glued in.

After the clamps are removed, and the excess glue is planed off, the joints seem to be perfectly tight, but, because it is epoxy which is being used it is important for some of them to have a space for the glue line. This particularly applies to the forward-most joint where the stringer is laid into the inner lamination of the sheer clamp. Here, there is no support for the stringer apart from its wedged fit into the clamp. At the other joints the stringer is supported underneath by the bulkhead top frames, and the joints there are very tight. At the clamp, plenty of epoxy is packed around the joint with the stringer, resulting in a very solid complex. All this will be further strengthened by the addition of the subdeck, which will be glued on top of it.


The stringer/sheer clamp joint, showing the epoxy filled gap.

Here, all the stringers and beams are glued down, ready for the subdeck to be laid.



The ply is first attached along the stringers which support the hatch structures, and the outline of the sheer is transferred to its underneath surface for cutting. Once cut, it is easier to handle, and can be screwed down to the boat. Again, I will avoid gluing it yet, just in case I need to remove it; but with the two outer panels screwed in, the shape of the foredeck becomes obvious.


A section of subdeck being added...


and screwed down to gunwale, stringers and beams.


The same on the other side.





With the hatches put back there is a gap between them and the subdeck panel. This is because the panels are cut to share the stringers with other panels, but the hatches do not need to share. These gaps will be filled with scrap strips of ply. That is easier than cutting one piece for an exact fit, and will not affect the integrity of the deck at all.

One annoyance which will affect the deck, however, is the fact that extra ply had to be purchased for this section, and it has proven to be a bit thicker than the previous batch. Both are supposed to be 6 mm., but the new one is nearer 7. It is probably meant to be 1/4 inch. This creates steps which will have to be smoothed over where the old meets the new. Unfortunately, the plans for this boat have underestimated the ply requirements by as much as 6 sheets all together, and very little has been wasted. That is a pity, because if all the ply had been ordered in a single batch this discrepancy would not have occurred.

In the end I found some more sheets of the original brand and continued with the subdeck at uniform thickness. The rear deck required just two more pieces to seal it, and they were no trouble. Fitting these panels makes the deck really come to life, and it is an exciting moment when you can stand back and admire the lines of the boat in their full complexity.




The second last panel of rear subdeck fits in front of the hatch.



The last is added, and the rear deck is sealed.



At the bow, the force needed to bend the ply to shape is very high. The foremost piece was therefore left long so that its leverage could be used to get the screws into place. Then it was trimmed, and the foredeck was complete.





This completes the subdeck, although not much is glued down yet. But the shape of the boat is there to see, courtesy of a little digital manipulation:



This photomerge makes it look quite short. It is actually a good deal longer than it appears here.






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96. The Choice of Finish

The finish I am using on the mahogany dashboard is Sikkens Cetol Marine. It is an oil based varnish/stain which has an orange tint because of the iron pigments it contains to block UV rays. This helps deepen the colour of the rather pale Fijian mahogany, and is useful for that. It is very easy to apply, and has a long flow time, so much so that the instructions advise against sanding between coats, or only very lightly. Provided that the surface preparation has been adequate then, it has clear advantages against the heavier building finishes which do need sanding. Cetol is also easy to touch up again with an overcoat each year. It has a satin lustre, which I prefer to the rather too yachty-looking high gloss finishes, and, in fact, it is one of only two satin finishes I can find which rate themselves as exterior grade. (The other is Bondall Monocel Marine Varnish). Despite the fact that the cockpit is theoretically "interior", is will get full sun exposure, which is what does the damage.

The lack of sanding between coats may be good for film build, but it does not take account of dust which may get caught in the wet varnish. There are 24 hour drying times for the stuff. So, it is doubly important to do the job in as dust-free an environment as possible. With these small removable parts that is practical, but my garage is hardly dust-free, and when the fixed parts have to be finished they may well need a light sanding between coats. I'll just add an extra coat, as the company recommends. The satin lustre makes slight imperfections less noticeable, but in any case, if you want a gloss finish you just put a layer of Cetol Marine Gloss over the top of the satin stuff, so there is
plenty of time to change my mind later.


Here, the template panel for the instruments has had two coats of Cetol. Fijian mahogany is not nearly as dark as Brazilian, but each coat
makes it a bit darker. It will never get to match the steering wheel though.


However, the look of orange tint on pale wood is a different matter, so the hoop pine of the lagging is going to need another product. Cetol also comes in "Light", and this may be the best option, but I have not been able to locate it in Australia. If necessary I can use Monocel, but that will mean using Cetol on the mahogany strips and Monocel on the ply. What a pain! In addition, the Monocel is a true varnish, which needs at least 5 coats to confer any degree of UV protection, so you begin to get that plasticised look on the wood.


Nevertheless, it is preferable to the deep orange tint you would get on the pale pine. Once there is a coat or two of the Cetol on the edge strips I will just cover the whole lot with Monocel.


A single lagging strip has been coated with the Cetol/Monocel combination.
There is still some yellowing of the pine, but not the deep orange
you get with Cetol.

For the sole, where I do not want the carpet to be slipping around, I am using  Deks Olje #1 matte finish. It is a completely flat finish, which can be glossed up with a coat of #2 , but I will leave it flat. It is dead easy to use, and, being a wipe off product, does not mind a bit of dust either.


A portion of the sole with Deks Olje finish.

Deks Olje finish does not stay that dark. As it dries it lightens and leaves the panels with a soft, silky lustre with an accentuated grain pattern. It is almost a pity to cover it with carpet! But, then again, it is only meranti, and I have learned a healthy disrespect for that particular timber.


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97. The Throttle System and Controller

Electric motors depend on the motor controller for their input, and the controller, in turn, depends on a potentiometer to instruct it in its output. The potentiometer (or "pot box") can be controlled by a conventional control lever, the sort which would normally be connected to a throttle. Only a single lever is required, and it can be discretely located on the side of the cockpit.

Depending on the type of motor controller used, it may be necessary to have a reversing contactor in the system, and it is possible to connect the control lever with two cables, one to move the pot box, and the other to activate the reversing contactor. Some controllers mange the reversing process without a reversing contactor, but they still need a switch to change from forward to reverse rotation.

Fortunately, however, there is a simple solution offered by Solarboat, which incorporates a lever and potbox all in one, and one which acts like a joystick, producing forward motion with a nudge forwards and reverse with a pull backwards. It communicates with the controller via a Cat 5e computer networking cable.

  
             The Solarboat "wig-wag" type of throttle for twin engines(left), and single engines (right) shown with a 49 mm. lens cap.

This mechanism can be adapted to work with any handle via a pushrod system, and it does away with the need for a separate cable to activate the reversing switch, by the simple device of knocking off some of the teeth from the plastic cog wheel. Where they are missing, a spring loaded lever can move and activate the switch, and where they are present the lever moves back and deactivates it. It is, however, quite delicate compared with the traditional control levers, and needs a light touch so as not to damage it. There is a slight detent position when the switch begins to disengage, and the position is at slow ahead. If a stiff external lever is used the instructions warn that the detent may be missed and the throttle may be damaged by being forced past its stops.

Whichever mechanism is chosen, it is clear that the cabling or wiring must run through the space behind the cockpit lagging, and through the dash bulkhead. So, before the lagging is completed in the driver's section of the boat the throttle system has to be in place.

The throttle I have is based on a 5K ohm potentiometer. At highest resistance it is actually 4.45K ohms, and 0 at minimum. The controller
for which this is set up is a Sevcon Millipak 4Q, and the unit will be calibrated to see anything over 3.5K ohms as an instruction to produce zero output to the motor. This ensures that there is a "neutral" position available on the lever which is not so sensitive that any slight deviation in the lever's position results in either forward or backward output.



For those with an interest in the electronics of the controller I include the manual in Acrobat reader format, here: Sevcon Millipak
Part of the reason for choosing this controller is its ability to operate without a reversing contactor, which allows me to use the wig-wag type of throttle, and does away with extra switches. But it has numerous other advantages, namely its small size and its enormous configurability. Mind you, the calibrator for it is nearly as expensive as some of the cheaper controllers, and the software program which allows you to do the same thing with a PC instead, is just as expensive. When you look at the Alltrax controllers, and note that their software is free, you realise that the Sevcon is really very pricey. Luckily, Solarboat will do all the configuration for me, so I won't need to purchase the extras.

On the subject of contactors, there does need to be a main line contactor used with the Sevcon, and it is possible to use a 24 volt coil, no matter what the voltage of the battery system, as the controller has the capacity to chop the input voltage so that it averages 24 volts.  I had actually been thinking of getting a 12 volt coil and connecting it through the existing ignition switch on the house battery system, rather than put another switch into the drive system, but this particular controller will not allow that. It activates the contactor itself!

That seems odd, that a controller would switch on its own power supply, but it is part of the safety mechanism that the controller employs. If conditions are not deemed safe to start up, it won't. So the keyed switch, if there is one, will merely activate a part of the controller, which then allows a current through the coil of the contactor, which then closes, and sends full power back to the controller to be fed through to the motor. So, I need a 24 volt coil or higher, which means that it will not work on my 12 volt key switch. See the wiring diagram for the controller and contactor here.


Instead of installing a second key switch I could wire the existing one to the DC converter, so that the switch activates the main batteries, the dc converter, and the 12 volt, converter-dependent system all in one. But that would mean that in order, for example, to listen to the stereo when the boat is not moving, I would have either to have the main batteries on, or to have wired the stereo independently to a back-up battery, bypassing the switch. At the moment it is wired to the back-up battery via the switch. More critically, I could not keep the refrigerator running without drawing down on the main batteries, although I admit that if the back-up battery were run down by the accessories the DC converter would try to recharge the back-up at the expense of the main batteries as soon as they were turned on. (Since the back-up battery supplies 85 amp hours, or over 1000 watt hours, it seems unlikely that it would significantly reduce the main battery reserve, which will be either 6 or 8 times that amount, fully charged. But it is possible, and it could only be prevented by disconnecting the converter from the back-up battery). However, probably the best reason not to have the accessories dependent on the main batteries being switched on, is that it would be easy to nudge the throttle handle accidentally and throw the boat into motion. Only a separately switched accessory power supply can prevent that.

Another solution: I could use the circuit breaker or the battery selector switch as the main on/off mechanism, and do away with the second keyed switch altogether.

Finally, I mention this just to dismiss it: as a little indulgence I have installed a remote controlled relay to turn on the cockpit lighting from a pocket switch. This is to assist in boarding the boat at night, say from a restaurant jetty, without someone having to get in first in the dark to turn on the lights. Now it is theoretically possible to use a remote switch for the main drive system, but there are two reasons why I would not. Firstly, these remotes operate on small batteries in the pocket unit, which are liable to flatten at the most inconvenient time. Secondly, they are made in China, so are liable to fall apart at the most inconvenient time.





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